The boy couldn't believe what he was seeing: the oasis,
rather than being just a well surrounded by a few palm trees—as he had seen once
in a geography book—was much larger than many towns back in Spain. There were
three hundred wells, fifty thousand date trees, and innumerable colored tents
spread among them.
"It looks
like The Thousand and One Nights," said the Englishman, impatient to meet with
the alchemist.
They were
surrounded by children, curious to look at the animals and people that were
arriving. The men of the oasis wanted to know if they had seen any fighting, and
the women competed with one another for access to the cloth and precious stones
brought by the merchants. The silence of the desert was a distant dream; the
travelers in the caravan were talking incessantly, laughing and shouting, as if
they had emerged from the spiritual world and found themselves once again in the
world of people. They were relieved and happy.
They had
been taking careful precautions in the desert, but the camel driver explained to
the boy that oases were always considered to be neutral territories, because the
majority of the inhabitants were women and children. There were oases throughout
the desert, but the tribesmen fought in the desert, leaving the oases as places
of refuge.
With some difficulty, the leader of the caravan brought
all his people together and gave them his instructions. The group was to remain
there at the oasis until the conflict between the tribes was over. Since they
were visitors, they would have to share living space with those who lived there,
and would be given the best accommodations. That was the law of hospitality.
Then he asked that everyone, including his own sentinels, hand over their arms
to the men appointed by the tribal chieftains.
"Those are the rules of war," the leader explained. "The
oases may not shelter armies or troops."
To the boy's surprise, the Englishman took a
chrome-plated revolver out of his bag and gave it to the men who were collecting
the arms.
"Why a revolver?" he asked.
"It helped me to trust in people," the Englishman answered.
Meanwhile, the boy thought about his treasure. The closer he got to the
realization of his dream, the more difficult things became. It seemed as if what
the old king had called "beginner's luck" were no longer functioning. In his
pursuit of the dream, he was being constantly subjected to tests of his
persistence and courage. So he could not be hasty, nor impatient. If he pushed
forward impulsively, he would fail to see the signs and omens left by God along
his path.
God
placed them along my path. He had surprised himself with the thought. Until
then, he had considered the omens to be things of this world. Like eating or
sleeping, or like seeking love or finding a job. He had never thought of them in
terms of a language used by God to indicate what he should do.
"Don't be impatient," he repeated to himself. "It's like
the camel driver said: 'Eat when it's time to eat. And move along when it's time
to move along.' "
That
first day, everyone slept from exhaustion, including the Englishman. The boy was
assigned a place far from his friend, in a tent with five other young men of
about his age. They were people of the desert, and clamored to hear his stories
about the great cities.
The boy told them about his life as a shepherd, and was
about to tell them of his experiences at the crystal shop when the Englishman
came into the tent.
"I've
been looking for you all morning," he said, as he led the boy outside. "I need
you to help me find out where the alchemist lives."
First,
they tried to find him on their own. An alchemist would probably live in a
manner that was different from that of the rest of the people at the oasis, and
it was likely that in his tent an oven was continuously burning. They searched
everywhere, and found that the oasis was much larger than they could have
imagined; there were hundreds of tents.
"We've wasted almost the entire day," said the
Englishman, sitting down with the boy near one of the wells.
"Maybe
we'd better ask someone," the boy suggested.
The Englishman didn't want to tell others about his
reasons for being at the oasis, and couldn't make up his mind. But, finally, he
agreed that the boy, who spoke better Arabic than he, should do so. The boy
approached a woman who had come to the well to fill a goatskin with water.
"Good
afternoon, ma'am. I'm trying to find out where the alchemist lives here at the
oasis."
The woman
said she had never heard of such a person, and hurried away. But before she
fled, she advised the boy that he had better not try to converse with women who
were dressed in black, because they were married women. He should respect
tradition.
The
Englishman was disappointed. It seemed he had made the long journey for nothing.
The boy was also saddened; his friend was in pursuit of his destiny. And, when
someone was in such pursuit, the entire universe made an effort to help him
succeed—that's what the old king had said. He couldn't have been wrong.
"I had never heard of alchemists before," the boy said.
"Maybe no one here has, either."
The Englishman's eyes lit up. "That's it! Maybe no one
here knows what an alchemist is! Find out who it is who cures the people's
illnesses!"
Several women dressed in black came to the well for
water, but the boy would speak to none of them, despite the Englishman's
insistence. Then a man approached.
"Do you
know someone here who cures people's illnesses?" the boy asked.
"Allah
cures our illnesses," said the man, clearly frightened of the strangers. "You're
looking for witch doctors." He spoke some verses from the Koran, and moved on.
Another
man appeared. He was older, and was carrying a small bucket. The boy repeated
his question.
"Why do
you want to find that sort of person?" the Arab asked.
"Because
my friend here has traveled for many months in order to meet with him," the boy
said.
"If such
a man is here at the oasis, he must be the very powerful one," said the old man
after thinking for a few moments. "Not even the tribal chieftains are able to
see him when they want to. Only when he consents.
"Wait for the end of the war. Then leave with the
caravan. Don't try to enter into the life of the oasis," he said, and walked
away.
But the
Englishman was exultant. They were on the right track.
Finally,
a young woman approached who was not dressed in black. She had a vessel on her
shoulder, and her head was covered by a veil, but her face was uncovered. The
boy approached her to ask about the alchemist.
At that moment, it seemed to him that time stood still, and the
Soul of the World surged within him. When he looked into her dark eyes, and saw
that her lips were poised between a laugh and silence, he learned the most
important part of the language that all the world spoke—the language that
everyone on earth was capable of understanding in their heart. It was love.
Something older than humanity, more ancient than the desert. Something that
exerted the same force whenever two pairs of eyes met, as had theirs here at the
well. She smiled, and that was certainly an omen—the omen he had been awaiting,
without even knowing he was, for all his life. The omen he had sought to find
with his sheep and in his books, in the crystals and in the silence of the
desert.
It was
the pure Language of the World. It required no explanation, just as the universe
needs none as it travels through endless time. What the boy felt at that moment
was that he was in the presence of the only woman in his life, and that, with no
need for words, she recognized the same thing. He was more certain of it than of
anything in the world. He had been told by his parents and grandparents that he
must fall in love and really know a person before becoming committed. But maybe
people who felt that way had never learned the universal language. Because, when
you know that language, it's easy to understand that someone in the world awaits
you, whether it's in the middle of the desert or in some great city. And when
two such people encounter each other, and their eyes meet, the past and the
future become unimportant. There is only that moment, and the incredible
certainty that everything under the sun has been written by one hand only. It is
the hand that evokes love, and creates a twin soul for every person in the
world. Without such love, one's dreams would have no meaning.
Maktub, thought the boy.
The
Englishman shook the boy: "Come on, ask her!"
The boy
stepped closer to the girl, and when she smiled, he did the same.
"What's
your name?" he asked.
"Fatima,"
the girl said, averting her eyes.
"That's
what some women in my country are called."
"It's the
name of the Prophet's daughter," Fatima said. "The invaders carried the name
everywhere." The beautiful girl spoke of the invaders with pride.
The Englishman prodded him, and the boy asked her about
the man who cured people's illnesses.
"That's
the man who knows all the secrets of the world," she said. "He communicates with
the genies of the desert."
The genies were the spirits of good and evil. And the
girl pointed to the south, indicating that it was there the strange man lived.
Then she filled her vessel with water and left.
The
Englishman vanished, too, gone to find the alchemist. And the boy sat there by
the well for a long time, remembering that one day in Tarifa the levanter had
brought to him the perfume of that woman, and realizing that he had loved her
before he even knew she existed. He knew that his love for her would enable him
to discover every treasure in the world.
The next day, the boy returned to the well, hoping to
see the girl. To his surprise, the Englishman was there, looking out at the
desert,
"I waited
all afternoon and evening," he said. "He appeared with the first stars of
evening. I told him what I was seeking, and he asked me if I had ever
transformed lead into gold. I told him that was what I had come here to learn.
"He told
me I should try to do so. That's all he said: 'Go and try.' "
The boy didn't say anything. The poor Englishman had
traveled all this way, only to be told that he should repeat what he had already
done so many times.
"So, then
try," he said to the Englishman.
"That's
what I'm going to do. I'm going to start now."
As the
Englishman left, Fatima arrived and filled her vessel with water.
"I came to tell you just one thing," the boy said. "I
want you to be my wife. I love you."
The girl
dropped the container, and the water spilled.
"I'm going to wait here for you every day. I have
crossed the desert in search of a treasure that is somewhere near the Pyramids,
and for me, the war seemed a curse. But now it's a blessing, because it brought
me to you."
"The war
is going to end someday," the girl said.
The boy looked around him at the date palms. He reminded
himself that he had been a shepherd, and that he could be a shepherd again.
Fatima was more important than his treasure.
"The
tribesmen are always in search of treasure," the girl said, as if she had
guessed what he was thinking. "And the women of the desert are proud of their
tribesmen."
She
refilled her vessel and left.
The boy went to the well every day to meet with Fatima.
He told her about his life as a shepherd, about the king, and about the crystal
shop. They became friends, and except for the fifteen minutes he spent with her,
each day seemed that it would never pass. When he had been at the oasis for
almost a month, the leader of the caravan called a meeting of all of the people
traveling with him.
"We don't
know when the war will end, so we can't continue our journey," he said. "The
battles may last for a long time, perhaps even years. There are powerful forces
on both sides, and the war is important to both armies. It's not a battle of
good against evil. It's a war between forces that are fighting for the balance
of power, and, when that type of battle begins, it lasts longer than
others—because Allah is on both sides."
The people went back to where they were living, and the
boy went to meet with Fatima that afternoon. He told her about the morning's
meeting. "The day after we met," Fatima said, "you told me that you loved me.
Then, you taught me something of the universal language and the Soul of the
World. Because of that, I have become a part of you."
The boy listened to the sound of her voice, and thought
it to be more beautiful than the sound of the wind in the date palms.
"I have been waiting for you here at this oasis for a
long time. I have forgotten about my past, about my traditions, and the way in
which men of the desert expect women to behave. Ever since I was a child, I have
dreamed that the desert would bring me a wonderful present. Now, my present has
arrived, and it's you."
The boy
wanted to take her hand. But Fatima's hands held to the handles of her jug.
"You have
told me about your dreams, about the old king and your treasure. And you've told
me about omens. So now, I fear nothing, because it was those omens that brought
you to me. And I am a part of your dream, a part of your destiny, as you call
it.
"That's why I want you to continue toward your goal. If you have to
wait until the war is over, then wait. But if you have to go before then, go on
in pursuit of your dream. The dunes are changed by the wind, but the desert
never changes. That's the way it will be with our love for each other.
"Maktub,"
she said. "If I am really a part of your dream, you'll come back one day."
The boy was sad as he left her that day. He thought of
all the married shepherds he had known. They had a difficult time convincing
their wives that they had to go off into distant fields. Love required them to
stay with the people they loved.
He told
Fatima that, at their next meeting.
"The desert takes our men from us, and they don't always
return," she said. "We know that, and we are used to it. Those who don't return
become a part of the clouds, a part of the animals that hide in the ravines and
of the water that comes from the earth. They become a part of everything… they
become the Soul of the World.
"Some do
come back. And then the other women are happy because they believe that their
men may one day return, as well. I used to look at those women and envy them
their happiness. Now, I too will be one of the women who wait.
"I'm a
desert woman, and I'm proud of that. I want my husband to wander as free as the
wind that shapes the dunes. And, if I have to, I will accept the fact that he
has become a part of the clouds, and the animals and the water of the desert."
The boy went to look for the Englishman. He wanted to
tell him about Fatima. He was surprised when he saw that the Englishman had
built himself a furnace outside his tent. It was a strange furnace, fueled by
firewood, with a transparent flask heating on top. As the Englishman stared out
at the desert, his eyes seemed brighter than they had when he was reading his
books.
"This is the first phase of the job," he said. "I have
to separate out the sulfur. To do that successfully, I must have no fear of
failure. It was my fear of failure that first kept me from attempting the Master
Work. Now, I'm beginning what I could have started ten years ago. But I'm happy
at least that I didn't wait twenty years."
He continued to feed the fire, and the boy stayed on
until the desert turned pink in the setting sun. He felt the urge to go out into
the desert, to see if its silence held the answers to his questions.
He wandered for a while, keeping the date palms of the
oasis within sight. He listened to the wind, and felt the stones beneath his
feet. Here and there, he found a shell, and realized that the desert, in remote
times, had been a sea. He sat on a stone, and allowed himself to become
hypnotized by the horizon. He tried to deal with the concept of love as distinct
from possession, and couldn't separate them. But Fatima was a woman of the
desert, and, if anything could help him to understand, it was the desert.
As he sat
there thinking, he sensed movement above him. Looking up, he saw a pair of hawks
flying high in the sky.
He watched the hawks as they drifted on the wind.
Although their flight appeared to have no pattern, it made a certain kind of
sense to the boy. It was just that he couldn't grasp what it meant. He followed
the movement of the birds, trying to read something into it. Maybe these desert
birds could explain to him the meaning of love without ownership.
He felt sleepy. In his heart, he wanted to remain awake,
but he also wanted to sleep. "I am learning the Language of the World, and
everything in the world is beginning to make sense to me… even the flight of the
hawks," he said to himself. And, in that mood, he was grateful to be in love.
When you are in love, things make even more sense, he thought.
Suddenly,
one of the hawks made a flashing dive through the sky, attacking the other. As
it did so, a sudden, fleeting image came to the boy: an army, with its swords at
the ready, riding into the oasis. The vision vanished immediately, but it had
shaken him. He had heard people speak of mirages, and had already seen some
himself: they were desires that, because of their intensity, materialized over
the sands of the desert. But he certainly didn't desire that an army invade the
oasis.
He wanted to forget about the vision, and return to his
meditation. He tried again to concentrate on the pink shades of the desert, and
its stones. But there was something there in his heart that wouldn't allow him
to do so.
"Always heed the omens," the old king had said. The boy
recalled what he had seen in the vision, and sensed that it was actually going
to occur.
He rose, and made his way back toward the palm trees.
Once again, he perceived the many languages in the things about him: this time,
the desert was safe, and it was the oasis that had become dangerous.
The camel driver was seated at the base of a palm tree,
observing the sunset. He saw the boy appear from the other side of the dunes.
"An army
is coming," the boy said. "I had a vision."
"The
desert fills men's hearts with visions," the camel driver answered.
But the boy told him about the hawks: that he had been
watching their flight and had suddenly felt himself to have plunged to the Soul
of the World.
The camel driver understood what the boy was saying. He knew that
any given thing on the face of the earth could reveal the history of all things.
One could open a book to any page, or look at a person's hand; one could turn a
card, or watch the flight of the birds… whatever the thing observed, one could
find a connection with his experience of the moment. Actually, it wasn't that
those things, in themselves, revealed anything at all; it was just that people,
looking at what was occurring around them, could find a means of penetration to
the Soul of the World.
The
desert was full of men who earned their living based on the ease with which they
could penetrate to the Soul of the World. They were known as seers, and they
were held in fear by women and the elderly. Tribesmen were also wary of
consulting them, because it would be impossible to be effective in battle if one
knew that he was fated to die. The tribesmen preferred the taste of battle, and
the thrill of not knowing what the outcome would be; the future was already
written by Allah, and what he had written was always for the good of man. So the
tribesmen lived only for the present, because the present was full of surprises,
and they had to be aware of many things: Where was the enemy's sword? Where was
his horse? What kind of blow should one deliver next in order to remain alive?
The camel driver was not a fighter, and he had consulted with seers. Many of
them had been right about what they said, while some had been wrong. Then, one
day, the oldest seer he had ever sought out (and the one most to be feared) had
asked why the camel driver was so interested in the future.
"Well… so I can do things," he had responded. "And so I
can change those things that I don't want to happen."
"But then
they wouldn't be a part of your future," the seer had said.
"Well, maybe I just want to know the future so I can
prepare myself for what's coming."
"If good things are coming, they will be a pleasant
surprise," said the seer. "If bad things are, and you know in advance, you will
suffer greatly before they even occur."
"I want to know about the future because I'm a man," the
camel driver had said to the seer. "And men always live their lives based on the
future."
The seer was a specialist in the casting of twigs; he
threw them on the ground, and made interpretations based on how they fell. That
day, he didn't make a cast. He wrapped the twigs in a piece of cloth and put
them back in his bag.
"I make my living forecasting the future for people," he
said. "I know the science of the twigs, and I know how to use them to penetrate
to the place where all is written. There, I can read the past, discover what has
already been forgotten, and understand the omens that are here in the present.
"When people consult me, it's not that I'm reading the future; I am
guessing at the future. The future belongs to God, and it is only he who reveals
it, under extraordinary circumstances. How do I guess at the future? Based on
the omens of the present. The secret is here in the present. If you pay
attention to the present, you can improve upon it. And, if you improve on the
present, what comes later will also be better. Forget about the future, and live
each day according to the teachings, confident that God loves his children. Each
day, in itself, brings with it an eternity."
The camel driver had asked what the circumstances were
under which God would allow him to see the future.
"Only when he, himself, reveals it. And God only rarely
reveals the future. When he does so, it is for only one reason: it's a future
that was written so as to be altered."
God had shown the boy a part of the future, the camel
driver thought. Why was it that he wanted the boy to serve as his instrument?
"Go and speak to the tribal chieftains," said the camel
driver. "Tell them about the armies that are approaching."
"They'll
laugh at me."
"They are men of the desert, and the men of the desert
are used to dealing with omens."
"Well,
then, they probably already know."
"They're
not concerned with that right now. They believe that if they have to know about
something Allah wants them to know, someone will tell them about it. It has
happened many times before. But, this time, the person is you."